matka chat

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“Why do you think that’s so dreadful?”,

THE place Billy called the Fo’castle was a tiny room in the sloping windmill tower. It was level with the second floor of the house, and a narrow, railed bridge connected it with a door in his mother’s room. Under it was the above-ground cellar, overhead the big tank. Still higher whirled the great white wings that pumped the beauty-giving water to lawn and gardens.,

“Not arf as smart as a magpie,” dissented Moses, “I’ve saw magpies that c’d think up the scheminest things.” Moses was beginning to suffer from a surfeit of information and wanted to make a break in the proceedings.,

So a little church had been built there. The four walls of peeled logs carefully chinked with plaster were now grey and weathered. Inside of the building the red-draped altar, pulpit and reading-desk occupied at least one-third of the available space. There were pews to seat a score of people and behind these was a large heater. The uneven walls were whitewashed. In the windows, three on each side, were alternate blue and white panes of glass.

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To-day his mother’s words had left a pang. He would soon be a man and have to “think for himself.” Yes, and work, too. “Gee whiz! It’ll be tough not to play any more,” he exclaimed under his breath as he bowled along the tree-lined road that led to the Prettyman farm.,

“Glory must git better, nothin’s no fun no more,” blurted Moses.,

Turning to the right he entered a short dark corridor and noticed at the end of the passageway a brass knob gleaming. With renewed hope he approached the shining mark and extended his hand to open the door.,

The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear.